Interview by Ju Landeesse.
PRK is a long time speculative fiction enthusiast who regularly escaped to Middle Earth during primary school. Since then he’s become more omnivorous in his spec-fic reading, enjoying and reviewing works in a wide variety of genres including fantasy, science fiction, horror, cyberpunk and paranormal romance. PRK is an IT Geek by day, which provides him the means to fund his spec-fic habit and devour whatever books he can get his hands on. Contributing to spec-fic in Australia, PRK runs conventions as a hobby, and is on the Board of the Western Australian Science Fiction Foundation, where he is the convenor for the Aurealis Awards. You’ll usually find him roaming the corridors at Swancon and Continuum, or online via Twitter: @prkaye or his website: http://www.prkaye.com/
What is the most surprising thing you’ve learned about running conventions in Australia over the past several years?
I think the most surprising thing I’ve learned is that the community passion and sheer volume of institutional knowledge in the community have frequently lead to a quality of convention organisation beyond that I’ve seen from many professionally run conferences. Conventions like Swancon, Continuum and Conflux are run by volunteers and it’s incredible to see the kind of events that our community produces, out of love for the genre.
You were recently one of the readers for the inaugural Sara Douglass Award for the Aurealis Awards, what was it like to read so many books for that award and did it give you particular insight into what makes a good series?
It was both incredibly challenging based on the number of novels and incredibly rewarding to read that many series. Reading specifically for series really highlighted, for me, the difference between using the same characters and world with a different plot versus growing and evolving the characters and/or world in a way that a single novel doesn’t readily allow for. In addition, all the novels in the series have to work together to build a story that’s vaster than just the sum of the individual novels. Having read for the Sara Douglass Award, I’m convinced that the differences between good standalone novels and novels that make up a good series result in the latter being under represented in awards, and I hope to see more series based awards in the future.
There are rumours that one of your long term plans is to bring Worldcon to Perth, Australia. What attracts you to the idea of a Perth Worldcon?
Worldcon is such a fantastic experience for both fans and professionals alike that I want to make it accessible to as many people as possible. The last Australian Worldcon was in 2010, and there’s a growing number of fans and professionals who haven’t experienced a Worldcon. Australia has thriving and varied speculative fiction communities, with Western Australia’s Swancon running over over 40 years – I’ve been told it’s the longest continuously running speculative fiction convention in the Southern Hemisphere. With over 40 years of experienced convention runners and fannish traditions, hosting in Perth would provide a fantastic opportunity for the Australian community to experience Worldcon, and also be a different and unique experience for the International community, compared to previous Melbourne based Worldcons.
What Australian work have you loved recently?
I really enjoyed Season one of Cleverman. It was a fantastic use of science fiction targeted at a mainstream audience which examined and commented on the racism prevalent in Australian society and our government’s policies. While distressing in some areas, it didn’t hold back on showing the human impact that policies and attitudes can have. Despite, or perhaps because of that, it also provided a strong and powerful representation of Aboriginal people struggling with the impact of, and fighting back against, injustice.
Which author (living or dead) would you most like to sit next to on a long plane trip and why?
I hate small talk on planes, people rarely want to be there – they’re either on their way to or from somewhere, and it’s a closed environment with no ability to leave if a conversation turns out to be distressing. Besides, I’d much rather an empty seat for the extra space! So let’s say it was at a convention bar instead, where anyone was free to enter or leave as they pleased. I’d absolutely love to talk with Mary Shelley.
It would be fascinating to discuss with her the current state of speculative fiction, all the sub genres, and her thoughts on the development of it, from the context of Frankenstein. I’d also love to hear Shelly’s thoughts and experiences of the genre over such an extended lifetime (assuming that’s how this has worked, rather than a sudden resurrection), and also her predictions for the future of the genre.